![]() Jackson’s death and as “Ramona” became the romanticized “history” of Southern California, with constant sun-drenched afternoons, peaceful Indians tending to the idyllic ranchos of yesteryear, and all-around good times in the early days of California. Those intentions, though, were set aside after Mrs. Of course, there was “Ramona,” the novel by Helen Hunt Jackson that was supposed to do for the Indians what “Uncle Tom’s Cabin” had done for the slaves – humanize the plight of an oppressed people.The tale of Massacre Canyon was told over and over to visitors of Gilman Hot Springs, who could visit the enclosed canyon on day trips.They often talked of the legend of Tahquitz, the evil spirit who inhabited the mountains to the east.That theater was just the start of a movement in the San Jacinto Valley, mostly spearheaded by Hofmann, to use the architecture of various Indian groups to attract tourists.ĭuring the first half of the 20th century, San Jacinto Valley residents regaled themselves with the lore of local Indian groups. Several months ago, I wrote about the Soboba Theater, the movie house built in downtown San Jacinto by Oscar Hofmann. ![]()
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